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It’s obvious the rock duo is more than ready to go, as they launch into riff-heavy signature “Come On Over,” giving off a vibe of Alice Cooper meets Jane’s Addiction. He emphatically reminds his onlookers that they can be the best at whatever it is they want to do, whether its rapping, producing, being a doctor, or being the best mom or dad.ģ:40 PM: Decked out in denim gripping his acoustic guitar, Sturgill Simpson ends his well-received set with a characteristic screeching growl, accompanied by a few bluesy riffs and a quick walk off stage.ģ:50 PM: As hardcore rap blares to hype the crowd, Royal Blood drummer Ben Thatcher, clad in a Brooklyn Nets jersey and cap, took the stage to cheers, raising his beer to the crowd.
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She was very smart.”ģ:31 PM: Maryland-bred rapper Logic exudes positivity from the Honda Stage, leading the crowd in a chant of, “I’m special!” Earlier on he remarked how happy he was to be spending his first year on the festival circuit, and that exuberance bubbles over here. “I taught at the high school that Lorde went to,” she tells Billboard. The groove goes on!ģ:08 PM: Sarahjane Gibson of the New Zealand trio Streets of Laredo was a social sciences high school teacher years ago, and a special student attended her school.
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She attracts a crowd of onlookers before retrieving her discarded dress.Ģ:32 PM: Jamaican jam band Chronixx and Zinc Fence Redemption seamlessly recovers from around a dreadful, minute-long tearing sound blaring from the speakers at the Big Apple stage. 2:14 PM: As Echosmith reaches the first chorus of the set-closing “Cool Kids,” a woman in the back of the crowd is dancing fully nude, save for a black fannypack.